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Classique et engagé.e.x!

The OSR in association with the Festival Les Créatives

Wednesday

13.11.2024

19:30 — Victoria Hall

Coproduction
Festival
Artist in residence
Swiss premiere

En coproduction

Programme

Zofia Kiniorskaconductor

Valentine Michaudsaxophone

Sandrine Rudaz
The Golden Phoenix
Aurore boréale

Mel Bonis
Le Songe de Cléopâtre, for orchestra Op. 180
Ophélie, for orchestra Op. 165
Salomé, for orchestra Op. 100/2

Augusta Holmès
Ludus Pro Patria, Interlude "La Nuit et l'Amour"

Cécile Chaminade
Callirhoë, orchestral Suite Op.37

Anna Clyne
Glasslands, concerto for soprano saxophone and orchestra (swiss premiere)

The music

The musicologist Charles Rosen describes nineteenth-century women composers as ‘a real tragedy’. The musical institutions of the time were either simply off-limits to them, or extremely difficult to access. And even when one of them did manage to have a work heard or published, the critics did not avoid any misogynistic clichés. Even the opening of a women's composition class at the Paris Conservatoire in 1870 did not fundamentally change the situation: in 1892, Antonín Dvorák still believed that women had no creative power. It was only gradually that mores changed and this belief became untenable. Witness the many women composers who, despite the social, psychological and material obstacles to their creativity, wrote, sometimes without being able to have the pieces they gave birth to performed. They paved the way for today's female composers who shine on international stages.*

Join us at Les Créatives** for an original concert featuring works by women composers from the 20th century to the present day, conducted by the OSR's new assistant conductor Zofia Kiniorska, alongside saxophonist Valentine Michaud, in residence this season. 

The concert will open with two works by Sandrine Rudaz: musical interpretations of life, illustrating both its difficulties and its infinite possibilities. A film composer from the Valais, Sandrine Rudaz has won numerous awards and recorded her scores with the best musicians in renowned studios, including the historic Eastwood Scoring Stage at Warner Bros. Also on the programme are works by Mel Bonis, Augusta Holmès and Cécile Chaminade, the great French composers of the early 20th century. The concert closes on a high note with the Swiss premiere of Glasslands, a concerto for saxophone and orchestra by Anna Clyne, performed by Valentine Michaud. One of the most sought-after composers, Anna Clyne has been described as "a composer of uncommon gifts and unusual methods", in the words of the New York Times. 

* Text by HorsPortée

**The Festival Les Créatives is a multidisciplinary event highlighting the artistic and intellectual output of women and gender minorities

The venues

OSR Live

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JONATHAN NOTT

Conductor

Yvonne Naef

mezzo-soprano

György Ligeti
Poème symphonique, pour cent métronomes

Johann Sebastian Bach
Komm süsser Tod (orchestration by Leopold Stokowski)

Gustav Mahler
Kindertotenlieder, for mezzo-soprano and orchestra

Recorded on 21 January 2021 at Victoria Hall, Geneva

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Claude Debussy, Duke Ellington, Richard Strauss

Rhapsodie pour clarinette, New World A-Comin', Don Quichotte

Jonathan Nott

conductor

Marc Perrenoud

artiste en résidence , piano

Recorded on 21 September 2022 at Victoria Hall, Geneva

Highlights

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